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Saturday, 4 July 2026

Doris Peel on angels and Ishmael

I have enjoyed reading the poetry that was selected over the past month and was particularly helped by the final post referring to a piece by Todd Nelson in the Christian Science Monitor of May 18. It reminded me that I am often as nourished by enlightened responses to poetry as I am by the poetry itself. So Thank You, Todd, for amplifying my enjoyment of e.e. cummings’ delightful poem, written with such a special feel for childhood’s adventures and wonders.

Though I am a few days late, I would like to add my contribution.

There is a little treasure of a book called Doris Peel, Selected Poems 1955 - 1975 which I happened upon in my bookcase a day or two ago. The frontispiece to this book is like a light which illuminates my appreciation of Doris’s poems. It reads in part:

 

These poems are deceptively simple. What may seem at first glance to be fragmentary, slight, casual, dipping and wheeling like the flight of a gull, reveals in the context of its fellow poems a remarkable centrality of vision,  a structure of relatedness that is both movement and rest, pattern and unpredictability.

 

Doris Peel’s work brings to mind T. S. Eliot’s definition of wit in metaphysical poetry as “a tough reasonableness beneath the slight lyrical grace.” The subsurface tension in this case is between a quick-witted woman and a wide-eyed child - that child who, in New Testament terms, can alone receive the kingdom of heaven.

 

Here is an extract from an early poem.

 

I AM EASILY PERSUADED


                  by the arrival of angels.

The feel of them: the sense of a melodious murmuring

in the air, and the faint stirring

of wings that will shelter me

if I am good.


                 I am much comforted

                             by the intimation of an authority

that has nothing to do with the discipline of nannies.

Angels never scold. Or rap over the knuckles

Somebody who has stumbled. Being, themselves, shaped purely

from light, they are all lightness in performance and presence:

with song, not sermon, their special province

                  and laughter (I suspect) more native

to their nature than common--or even uncommon--speech. Not

that they resemble, for a split second, those sanguine earthlings

with their tedious insistence on Sunny-Side-Up. Angels

aren't optimists....


Oh, it is altogether otherwise with angels.

...

                     In what tongue tell

of a murmuring, a stirring, and that sudden incandescent elation

in the air? Or of how, long after the visitants have withdrawn

and room or street appears usual again.

            there is a lingering of intimations

all about, and even the lilt - faint - faint - not yet quite gone -

 

of law caught as laughter:

of power as song.

 

And another excerpt, this time from a poem called

 

WHEN WILL THE FORGIVING OF IT COME TO PASS?

 

Palestinian Village: Occupied Territory

 

This gone-from place,

these windows gaping in a golden glare

of pitiless sun,

      once knew (however poor it was)

life going on.

Once brimmed with breath.

Once throbbed aloud with those

 

who held it, passionately - Ishmael deep -

to be their home.

 

 Marie Fox

Monday, 29 June 2026

Antidote to dullness

 I was reading the May 18 2026 print issue of The Christian Science Monitor. Pages 40-41 feature a poem by e.e. cummings (1894-1962) and an essay by Todd R. Nelson. 

The poem is just wonderful. Here it is:


in Just-

spring     when the world is mud-

luscious the little

lame balloonman


whistles     far      and wee


and eddieandbill come

running from marbles and

piracies and it's 

spring


when the world is puddle-wonderful


the queer

old balloonman whistles

far     and     wee

and bettyandisbel come dancing


from hop-scotch and jump rope and


it's

spring

and

    the

      goat-footed


balloonMan     whistles

far

and wee


In the accompanying essay, Todd Nelson describes his first encounter with this poem in the seventh grade. He writes: "I look back on that poem as a starting line. I heard the call to poetry... I began to understand that a poet is describing the world, experience, or concepts in a way that antidotes dullness, commonness, and indifference; that stretches the possibilities of language; that sings and beckons. A poem is a discrete vessel of clarity and understanding."

Have a puddle-wonderful day!

Julie Swannell

Tuesday, 23 June 2026

Woman's Rights

 Some years ago in Queensland the Premier’s wife, Florence Bjelke-Petersen, was elected to be a Senator in the Federal Parliament. 

She was a religious person, and I felt she would need spiritual support in taking on this responsibility. She was more famous for her Pumpkin Scones than her politics!

So I sent her a copy of Mary Baker Eddy’s poem Woman’s Rights. Here are the words:


WOMAN’S RIGHTS

Grave on her monumental pile:

She won from vice, by virtue’s smile,

Her dazzling crown, her sceptred throne,

Affection’s wreath, a happy home;

 

The right to worship deep and pure,

To bless the orphan, feed the poor;

Last at the cross to mourn her Lord,

First at the tomb to hear his word:

 

To fold an angel’s wings below;

And hover o’er the couch of woe;

To nurse the Bethlehem babe so sweet,

The right to sit at Jesus’ feet;

 

To form the bud for bursting bloom,

The hoary head with joy to crown;

In short, the right to work and pray,

“To point to heaven and lead the way.”

Mary Baker Eddy, Miscellaneous Writings 1883-1896, pp. 388:14 - 389:4


I had a very gracious reply from Mrs. Bjelke-Petersen in which she acknowledged Mrs. Eddy’s place. I am sorry that I didn’t keep a record of that reply.

Joyce Voysey

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